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"Quite sure," returns her future mother-in law, grimly. "I never speak, Dorothy, without foundation for what I say." "Eh, but this is bad news!" says old Scully, evidently terrified and disheartened by his niece's words. "Where will it all end? Come in, Misther Rodney: let me look at ye, boy. No, not a word out of ye now till ye taste something. 'Tis in bits ye are; an' a good coat it was this mornin'. There's the whiskey, Mona, agra, an' there's the wather. Oh! the black villain! Let me examine ye, me son. Why, there's blood on ye! Oh! the murthering thief!" For some time they talk together, and then the duchess, fearing lest she may be keeping Mrs. Geoffrey from the common amusement of a ballroom, says, gently,—.

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"I mean that she shall remain just as she is. The world may be 'given to lying,' as Shakspeare tells us, but I will not have Mona tutored into telling fashionable falsehoods," says this intrepid young man facing his mother without a qualm of a passing dread. "A lie of any sort is base, and a prevarication is only a mean lie. She is truthful, let her stay so. Why should she learn it is the correct thing to say she is not at home when she is, or that she is suffering from a foolish megrim when she isn't? I don't suppose there is much harm in saying either of these things, as nobody ever believes them; but—let her remain as she is." "Why should they fall out again?" says Rodney, a little angrily, hearing only her careless laugh, and—man-like—ignoring stupidly the pain in her lovely eyes. "Unless people choose to forget." So determined is her aspect that Geoffrey shows the white feather, and, crying "mea culpa," beats a hasty retreat. "Besides, I do not understand what you mean," says Geoffrey, still regarding his mother with angry eyes "Why connect Mona's absence with Paul Rodney?".